﻿<?xml version="1.0" encoding="utf-8"?><!--RSS Genrated: Tue, 14 Apr 2026 07:31:18 GMT--><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:ev="http://purl.org/rss/1.0/modules/event/"><channel><title>Canon News - Canon News Reviews</title><link>https://www.canonnews.com:443/Home/rss/category/1633/canon-news-reviews</link><atom:link href="https://www.canonnews.com:443/Home/rss/category/1633/canon-news-reviews" rel="self" type="application/rss+xml" /><description>RSS document</description><item><dc:creator><![CDATA[Richard CanonNews]]></dc:creator><title><![CDATA[Canon RF 14-35mm F4L IS USM MTF and Comparisons]]></title><link>https://www.canonnews.com/canon-rf-14-35mm-f4l-is-usm-mtf-and-comparisons-6</link><enclosure type="image/jpg" url="https://www.canonnews.com/Portals/0/EasyDNNNews/2353/1624971157_IMG_1560630.jpg" length="52695"></enclosure><description><![CDATA[<img src="https://www.canonnews.com/Portals/0/EasyDNNNews/2353/images/1624971157_IMG_1560630-650-650-p-L-97.jpg" alt="" /> As we usually do, we dug up the MTF graphs for the Canon RF 14-35mm and immediately wanted to see how it compared to the Canon EF 16-35mm F4L IS USM. 

 Now first we have to consider that the 14-35 is a 2.5x zoom while the 16-35mm is approaching a 2x zoom. Why does this matter? The greater the zoom range the more difficult it is to make the lens good throughout the entire range.  That's why the 24-70's are much better than the 24-105 lenses and why 28-70mm is easier to achieve maximum ...]]></description><pubDate>Tue, 29 Jun 2021 18:37:00 GMT</pubDate><guid>https://www.canonnews.com/canon-rf-14-35mm-f4l-is-usm-mtf-and-comparisons-6</guid><dc:identifier><![CDATA[bae2b87f-50b7-4b10-b617-288436724cb1-2353]]></dc:identifier></item><item><dc:creator><![CDATA[Richard CanonNews]]></dc:creator><title><![CDATA[PhotographyBlog: Canon RF 50mm F1.8 STM Review]]></title><link>https://www.canonnews.com/photographyblog-canon-rf-50mm-f18-stm-review-35</link><enclosure type="image/jpg" url="https://www.canonnews.com/Portals/0/EasyDNNNews/2245/img-1604443681_1601517.jpg" length="57088"></enclosure><description><![CDATA[<img src="https://www.canonnews.com/Portals/0/EasyDNNNews/2245/images/img-1604443681_1601517-650-650-p-L-97.jpg" alt="" />  PhotographyBlog  has published their review of the  Canon RF 50mm F1.8 STM .  The  Canon RF 50mm F1.8 STM  one of Canon's new "bang for the buck" lenses for the RF mount.  With a price of $199, it's a perfect entry into taking photographs with primes. 

 They give it a rating of 4.5 out of 5 stars and give it a highly recommended rating.  The breakdown on ratings are; 

 
  
   
    Design 
    4.5 
   
   
    Features 
    4 
   
   
    Ease-of-use 
    4 
   
   
    ...]]></description><pubDate>Sat, 23 Jan 2021 16:09:00 GMT</pubDate><guid>https://www.canonnews.com/photographyblog-canon-rf-50mm-f18-stm-review-35</guid><dc:identifier><![CDATA[bae2b87f-50b7-4b10-b617-288436724cb1-2245]]></dc:identifier></item><item><dc:creator><![CDATA[Richard CanonNews]]></dc:creator><title><![CDATA[CN Review: Kolari Pocket IR Camera]]></title><link>https://www.canonnews.com/cn-review-kolari-pocket-ir-camera-14</link><enclosure type="image/jpg" url="https://www.canonnews.com/Portals/0/EasyDNNNews/2182/img-20190716-Kolari-Pocket-11.jpg" length="149766"></enclosure><description><![CDATA[<img src="https://www.canonnews.com/Portals/0/EasyDNNNews/2182/images/img-20190716-Kolari-Pocket-11-650-650-p-L-97.jpg" alt="" /> This review is a long time coming.  I got the  Kolari Pocket  camera year ago and have used it off and on for the past year. 

 A little first about Kolari.  Kolari Vision  is a company that specializes in camera conversions that remove the hot mirror filter in front of the camera.  They can then tailor that camera for UV, IR and full spectrum uses. 

 One of my photographic passions is infrared photography. I have done infrared photography for over 10 years now.  I have moved from the 20D ...]]></description><pubDate>Wed, 25 Nov 2020 02:20:00 GMT</pubDate><guid>https://www.canonnews.com/cn-review-kolari-pocket-ir-camera-14</guid><dc:identifier><![CDATA[bae2b87f-50b7-4b10-b617-288436724cb1-2182]]></dc:identifier></item><item><dc:creator><![CDATA[Richard CanonNews]]></dc:creator><title><![CDATA[Canon EOS M6 Mark II - Analysis of Shutter Shock]]></title><link>https://www.canonnews.com/canon-eos-m6-mark-ii-analysis-of-shutter-shock-79</link><enclosure type="image/jpg" url="https://www.canonnews.com/Portals/0/EasyDNNNews/1959/img-M6II-(10).jpg" length="375664"></enclosure><description><![CDATA[<img src="https://www.canonnews.com/Portals/0/EasyDNNNews/1959/images/img-M6II-(10)-650-650-p-L-97.jpg" alt="" /> During some discussions, shutter shock came up with the Canon EOS M6 Mark II.  Simply put, shutter shock is the vibration that happens at the start of the exposure caused by the movement of the shutter.  This usually happens in slower shutter speeds around 1/200th to 1/25th shutter speed. 

 Usually, this isn’t a problem on Canon mirrorless, because they used to always have EFCS (Electronic First Curtain Shutter).  In basic terms, there is the first curtain (the shutter opens up) and the ...]]></description><pubDate>Tue, 05 May 2020 16:42:00 GMT</pubDate><guid>https://www.canonnews.com/canon-eos-m6-mark-ii-analysis-of-shutter-shock-79</guid><dc:identifier><![CDATA[bae2b87f-50b7-4b10-b617-288436724cb1-1959]]></dc:identifier></item></channel></rss>